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Auckland Castle reopens with exhibition dedicated to 'Beauty in the Everyday'


Auckland Castle reopens with exhibition dedicated to Beauty in the Everyday
Gillis Gillisz de Berch (1600 – 1669), A Basket of Flowers with Seashells, 1642, Oil on panel © The Bowes Museum, Barnard Castle.
BISHOP AUCKLAND
.-Auckland Castle reopened its doors on Saturday 3 July with a new exhibition dedicated to scenes of everyday life. Beauty in the Everyday: Dutch and Flemish Masters at Auckland Castle, on display in the Bishop Trevor Gallery until 3 October, features paintings which capture scenes of daily life produced in the Low Countries during the seventeenth century.
Although created 400 years ago, they offer a glimpse into a world which is recognisably continuous with our own, similarly concerned with food, leisure, and gathering together with friends and family. Visitors are invited to consider both the contemporary meanings behind the paintings, and how they resonate with our own experiences of ‘normal life’ in the wake of the Covid-19 pandemic. ....

United Kingdom , Bishop Auckland , Noord Holland , Jan Steen , Clare Baron , Dutch East India Company , Bowes Museum , Auckland Castle , Flemish Masters , Bishop Trevor Gallery , Low Countries , Dutch Republic , Auckland Project , Still Life , Gillis Gillisz De Berch , Woburn Abbey Collection , Twelfth Night , Villagers Merrymaking Outside , Grosvenor Estate , David Teniers , ஒன்றுபட்டது கிஂக்டம் , பிஷப் ஆக்லாந்து , நூற்த் ஹாலண்ட் , ஜான் ஸ்டீன் , தெளிவு பரோன் , டச்சு கிழக்கு இந்தியா நிறுவனம் ,

Artdaily - The First Art Newspaper on the Net


The First Art Newspaper on the Net
 
An Airstream Bambi trailer, which was designed in 1960 and became a fixture on American highways, at the Museum of Modern Art in Manhattan, June 29, 2021. The MoMA exhibit “Automania,” drawn almost exclusively from the museum’s own collection, walks a painted white line between critique and celebration. Jeenah Moon/The New York Times.
by Lawrence Ulrich
(NYT NEWS SERVICE)
.- For many Americans, cars became a lifeline and refuge during the pandemic, even as newly sparkling air over locked-down cities highlighted their darker side. Soul-searching over commuting and climate change was balanced by hope that cars might clean up their act via electricity, and allow new generations to fall for their beauty and ingenuity. That wrench-tight tension is at the heart of Automania, an exhibition opening at the Museum of Modern Art in Manhattan on Sunday — July Fourth, a holiday that has come to symbolize motorized freedom and parad ....

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