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Nattapon âNatâ Siangsukonâs love affair with molamâthe electrically-charged roots music of Northeastern Thailandâstarted mostly out of necessity. After seven years living in London and DJing up and down Portobello Road, he found himself back home in Bangkok in 2007, and broke. Unable to justify the hefty price of importing wax from abroad, he began scouring the dusty record stores of Chinatown for time-warped gems. âThere was so much music and so little information, so Iâd go around with my portable record player and listen to everything as the sleeves all looked so damn cool,â the DJ, who records and performs as Maft Sai, recalls with a laugh. âMy first reaction was, âHow? Why? Whatâs going on?!ââ ....
Last modified on Wed 17 Feb 2021 11.40 EST Maybe appropriately, as she is the epitome of “grown-up” music, I didn’t get into Joni until my 30s. Her early albums had been in my parents’ collection but I’d never really paid much heed – until the boho folk revival of the early 2000s had me reassessing them along with their Bert Jansch and Incredible String Band LPs. But it was the music-blogging explosion of the same time, with crate diggers sharing rarities and bootlegs, that really turned my head. That’s how I found the acoustic demos for The Hissing of Summer Lawns – a record whose jazz-fusion and vaudevillian aspects had previously left me cold – and it all fell together. ....
2 months ago M. Caye Castagnetto Leap Second LP Peruvian artist Caye Castagnetto (they/them) has released the official music video for “Slippery Snakes.” Influenced by a life split between Lima, London, and Twentynine Palms, Peru-born Caye Castagnetto’s Leap Second is an intriguingly personal and hard to classify debut album. Castagnetto’s debut LP Leap Second is out January 22nd on Castle Face Records. The album is a thick collage of samples Caye recorded with different artists and musicians, including Beatrice Dillon and the late Aileen Bryant, that spans 5 years in the making. There is something in Leap Second that tracks the speed of bodies, how they approach and retreat. The 10 tracks are speedy and languid, thick ruffles, and dirges. In parts it feels like you’ve stumbled upon a forgotten incredible 70’s folk record but that feeling gets broken quickly by clever sleights of hand. Caye’s balladry is angular, time is elastic. Each song is a fres ....