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A Message from Aperture Foundation's New Executive Director

A Message from Aperture Foundation’s New Executive Director
Sarah Meister reflects on the role Aperture has played throughout her life and how photography brings us together, across continents and decades.
Sara Cwynar,
Today is my second First Day at a New Job, and I’m giddy with anticipation. My
first First Day was in September 1994, fresh out of college, when I walked into the Department of Photography at the Museum of Modern Art. We used typewriters on occasion, floppy disks at shared computers, no internet or email! John Szarkowski stopped by regularly, and people smoked in their offices. Every Thursday morning, the curatorial staff would gather to look at portfolios that photographers had dropped off and mailed in from all over the world. I couldn’t believe how fortunate I was to spend my days around amazing photographs and brilliant people. That feeling never waned and in my new role leading Aperture, I imagine it never will. ....

New York , United States , France General , Museum Of Modern Art , John Szarkowski , Denise Wolff , Michael Famighetti , Minor White , Irina Rozovsky , Latoya Ruby Frazier , Lesleya Martin , Dawoud Bey , Peter Bunnell , Deborah Willis , Dorothea Lange , Nan Goldin , Deana Lawson , Zoraj Murff , Danny Lyon , Stephen Shore , Richard Misrach , Kwame Brathwaite Jr , Hank Willis Thomas , Sally Mann , Tina Barney , Horacio Coppola ,

Peabody Museum Discovers Possible Slave Remains in Its Collections

Image courtesy of Wikimedia Commons/Daderot
The Peabody Museum of Archaeology and Ethnology has found among its holdings the remains of 15 people of African descent who were likely alive when slavery was legal in the United States, University president Lawrence S. Bacow announced in an email today. The discovery was made during a review conducted, Bacow wrote, “as part of an assessment of its ethical stewardship practices and in the spirit of continuing efforts to understand the legacy of slavery at Harvard.”
“We must begin to confront the reality of a past in which academic curiosity and opportunity overwhelmed humanity,” Bacow wrote. “These individuals represent a chapter in our history that we must confront. I commend our faculty and staff at the Peabody for responding to our national conversation on race by subjecting to greater scrutiny their holdings of human remains. ....

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How the camera confronted slavery — and still does

How the camera confronted slavery â and still does
By Mark Feeney Globe Staff,Updated December 30, 2020, 2:02 p.m.
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Carrie Mae Weems, While Sitting Upon the Ruins of Your Remains, I Pondered the Course of History (2016-17), from To Make Their Own Way in the World: The Enduring Legacy of the Zealy Daguerreotypes (Aperture/Peabody Museum Press, 2020).Courtesy the artist and Jack Shainman Gallery, New York
The course of history didnât change in 1839, with the invention of photography. What did change was our collective relationship to history. Camera-captured images altered the publicâs understanding of events â or, at the very least, made it harder to ignore them. The novelist Wright Morris, who was also a very good photographer, once asked a deeply provocative question: If there had been someone with a camera when Christ arrived at Golgotha, how would that have changed our understanding of events on that particular hill on th ....

The Ruins , South Carolina , United States , Harvard University , Baton Rouge , Angelina Grimk , Walker Evans , Josepht Zealy , Frederick Douglass , Matthew Fox Amato , Southworth Hawes , Carrie Mae Weems , Stephen Foster , Ilisa Barbash , Abraham Lincoln , Deborah Willis , Harriet Beecher Stowe , Jonathan Walker , Leonardo Dicaprio , Mcpherson Oliver , Louis Agassiz , Molly Rogers , Quentin Tarantino , Harvard Peabody Museum Of Archaeology , Courtesy Peabody Museum Of Archaeology , Massachusetts Historical Society ,