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Aesthetica Magazine - More to the Picture


More to the Picture
Portraits reveal many truths about the human condition – how we present ourselves to the world. Bey explores the dialogue between sitter and subject.
Dawoud Bey (b. 1953) is an International Center of Photography Infinity Award winner. He has received grants from The National Endowment for the Arts, the John Simon Guggenheim Memorial Foundation Fellowship and the MacArthur Fellowship (aka a “genius grant”) and has exhibited at the George Eastman House, the Walker Art Center, the Detroit Institute of Arts, the Birmingham Museum of Art, the Addison Gallery of American Art, the Indianapolis Museum of Art and many more. His latest show is ....

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My Pictures Show Moments That Happened Accidentally (34 Pics)


Photography has been with me for as long as I can remember. In my childhood, my father had an old Zorki camera, the Russian Leica II copy, and he had a habit of developing film from our trips in the darkroom. That place with unfamiliar smells and substances had a unique charm for me.
I always asked to be there and learn the process of film development for myself, as seeing the blank paper turn into an image was magical to me. Later on, I was accepted to the Faculty of Art and focused on visual arts and analog photography. ....

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My Pictures Show Moments That Happened Accidentally (25 Pics)


Photography has been with me for as long as I can remember. In my childhood, my father had an old Zorki camera, the Russian Leica II copy, and he had a habit of developing film from our trips in the darkroom. That place with unfamiliar smells and substances had a unique charm for me.
I always asked to be there and learn the process of film development for myself, as seeing the blank paper turn into an image was magical to me. Later on, I was accepted to the Faculty of Art and focused on visual arts and analog photography. ....

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Aesthetica Magazine - Image as Transformation


Image as Transformation
Dawoud Bey was born in 1953 in the borough of Queens, New York City. Now a world-renowned photographer, he first began to develop an interest in images as a teenager, receiving a camera from his godmother in 1968. The following year, he saw 
Harlem on My Mind at The Metropolitan Museum of Art – an exhibition widely criticised for its failure to include a significant number of artworks by African Americans. 
Bey was inspired to develop a new documentary project about Harlem, and took to the streets, producing portraits with residents from the historic neighbourhood. The series premiered at the Studio Museum in 1979, when Bey was just 26 years old. “I wanted to make images that contributed to the conversation about Harlem in visual culture,” Bey writes in  ....

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