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Foo Fighters: Medicine at Midnight review – music for toilet breaks at their gigs
Alexis Petridis
There are artists who survive through perpetual reinvention, constantly surprising their audience at every turn, and then there are artists who trade in reliability. Twenty-six years into their career, Foo Fighters very much belong to the latter category.
Every two or three years a new album comes out, promoted by a tour of the world’s biggest venues, and magazine covers featuring Dave Grohl pulling the face he pulls on magazine covers: brow furrowed, teeth bared. It’s not a comparison you hear very often, but there’s a sense in which they’re the American version of Oasis: a putatively alternative band dealing in a punk-ish take on rock classicism and beloved of people who presumably want to know exactly what they’re getting before they shell out for, or at the very least stream, a new album. ....

White House , District Of Columbia , United States , Dave Grohl , Pearl Young , Greg Kurstin , Holding Poison , Foo Fighters , Wasting Light , Sonic Highways , New Orlean Preservation Hall Jazz Band , David Bowie , Chasing Birds , Guardian Foo Fighters , Darling Nikki , Dead Kennedy Holiday , Good Life Esque , வெள்ளை வீடு , மாவட்டம் ஆஃப் கொலம்பியா , ஒன்றுபட்டது மாநிலங்களில் , ஏர்ல் இளம் , வைத்திருத்தல் பாய்ஸந் , ஃபூ போராளிகள் , சோனிக் நெடுஞ்சாலைகள் , புதியது ஒரில்ேன் ப்ரிஸர்வேஶந் மண்டபம் ஜாஸ் இசைக்குழு , டேவிட் போவி ,