Stay updated with breaking news from பெஸ்ஸி ஜோன்ஸ். Get real-time updates on events, politics, business, and more. Visit us for reliable news and exclusive interviews.
photo: Ebru Yildiz Despite being locked down in Ireland for the past year, Rhiannon Giddens has still, to no one’s surprise, managed to juggle multiple things at once. She’s the host of Aria Code, a podcast that takes listeners behind the opera curtain. She’s the artistic director of Silk Road, a collaborative arts organization founded by the cellist Yo-Yo Ma. And she’s the doting mother of two children, one of whom is currently making faces with a banana stuffed into his mouth. “He likes to photo bomb my Zoom calls,” she says with a shrug. Giddens, who grew up in North Carolina, and her partner, the Italian musician Francesco Turrisi, also found time in a Dublin studio to make ....
For Rhiannon Giddens, Singing Songs Of Lament Brings Comfort kclu.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from kclu.org Daily Mail and Mail on Sunday newspapers.
Robert Moore Reclaims His Freeform Radio Roots at 90.9 The Bridge Robert Moore Reclaims His Freeform Radio Roots at 90.9 The Bridge I Can t Describe How Lucky I Feel Share this story Published March 12th, 2021 at 6:00 AM Above image credit: A red vinyl album spins on a turntable. (Emily Woodring | Flatland) He likes to call it his “little music show.” Even so, Robert Moore’s “Sonic Spectrum,” a show as admirably accessible to the masses as it remains intensely personal to its creator/host, has spanned more than 19 years at three successive Kansas City radio stations, including the show’s latest incarnation from 6 to 8 p.m. Saturdays on listener-supported public station KTBG-FM, 90.9 The Bridge. (The Bridge is the radio operation of Kansas City PBS, parent of Flatland.) ....
I was told once that during Lent, you don’t sing songs with the word hallelujah in them. I had never heard of that tradition, though my church in Atlanta had been observing Lent for a while. But I liked it. It made sense. Lent is a season of intense self-reflection, repentance, fasting, low-key suffering, and lament. Songs about victory could run the risk of sounding impatient, even lazy and unwilling. The hallelujahs will have to wait, as we have some things to sort out first. Years ago, our worship band started opening each Sunday of Lent with a blues song: Robert Johnson, Elmore James, Blind Willie McTell, Bessie Jones, Blind Willie Johnson, Eric Clapton, and down to The Black Crowes the real stuff. We called it “Blues for Lent.” These were songs of pain and frustration, songs with very vivid pressure points on the hurt that exists in the world. ....
You can . Brief summary of the year in reissues and vault rediscoveries: There was an avalanche of them, across all genres and all eras. Each promises edification, offering dives into the rich contexts of historically significant records while also being flat-out thrilling listening. Thanks to the work of sound-obsessed archivists and audio detectives this year, it s now possible to trace John Coltrane s Giant Steps session in microscopic detail for its 60th Anniversary Deluxe Edition; or revisit some of the unheralded album tracks from John Prine s output in the 1970s ( Crooked Piece of Time); to hear legendary guitarist Duane Allman s last performance before his death ( ....