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Two principal dancers are leaving The Sarasota Ballet

Two principal dancers are leaving The Sarasota Ballet
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Review: Ashton ballets bring spirits up in Digital Program 6 | Arts and Entertainment

The Sarasota Ballet released the sixth Digital Program of the 2020-2021 season this past weekend. The triple bill was comprised of a splendid array of Sir Frederick Ashton ballets. Although the dancers are versed in many different choreographic styles, the Ashton style is arguably the strongest from Corps de Ballet to Principals.
Kate Honea and Ricardo Graziano in Sir Frederick Ashton s Facade. (Frank Atura photo)
Director Iain Webb and Assistant Artistic Director Margaret Barbieri have worked tirelessly to preserve the original choreography of Ashton’s ballets; they have even revived some of his lost or forgotten works.
“Valses Nobles Et Sentimentales,” is one of the lost ballets that The Sarasota Ballet revived and first performed in 2011. Elegant scenery and costume designs by Sophie Fedorovitch suggest a ballroom setting in post - World War II Britain. Victoria Hulland brings sophistication to the Principal role; her footwork is crisp and epaulement genero ....

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Review: Sarasota Ballet performs three Frederick Ashton works online

They also have revived ballets no longer performed anywhere else. One of those is “Valses Nobles et Sentimentales,” from 1947, which had not been seen in decades when Barbieri and Webb brought it back in 2011. It is the opening ballet in the company’s sixth digital program, an hour-long triple bill devoted to Ashton. (The program is available through Wednesday, one day longer than planned, because of a technical glitch that delayed the digital release.)
“Valses Nobles” is set to Ravel’s suite of the same name. With its layered melodies and unsettling dissonances, the music suggests both a dreamy euphoria and a kind of foreboding. Just four years later, Balanchine would use the same suite to much darker effect in his own ballet “La Valse.” ....

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Sarasota Ballet plans two world premieres in new season

“We feel strong and we’re going to do a full season of in-person performances,” Artistic Director Iain Webb said. “If there’s a roadblock, we’ll just have to maneuver around it.” He said it is too early to know what COVID safety protocols still may be required when the season starts.
“Will we have to do as much social distancing or masking? We don’t have the answer. We feel it’s going to start slowly. From a box office point of view, we’re looking at budgeting around 50 percent of our usual revenue,” he said.
Webb and other local arts leaders are aware that while many patrons are excited about returning to “normal,” they may not yet feel ready to attend indoor performances at full capacity, at least at the start of the season. ....

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Sarasota Ballet presents digital showcase of Sir Frederick Ashton

It is one of three Ashton works that fill the revised lineup for the company’s sixth digital program. Artistic Director Iain Webb had originally planned to feature George Balanchine’s “Serenade” along with “Valses” and Ashton’s “The Walk to the Paradise Garden.” Because of health and safety protocols, he replaced the Balanchine work with a third Ashton piece, “Facade,” which the company has performed many times.
Rhodes and Hulland last danced “Valses Nobles” together about five years ago, and it’s been at least two years since they partnered. Even after a break, Hulland said, “There’s so much comfort there. We always danced together, and Rickey’s got my back.” ....

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