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1994 was a big year for LGBT arts. But perhaps the brightest —yet sadly briefest— star to shine was Pedro Zamora in Season 3 of MTV s The Real World, set in San Francisco. ....
Bay Area Reporter :: 50 years in 50 weeks: 1994, Pedro got real ebar.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from ebar.com Daily Mail and Mail on Sunday newspapers.
Facebook s decision several years ago that people must use their first and last names on the popular social media site had negative consequences for a queer African American Bay Area man who recently received an award with his incorrect name. Blackberri, a well known singer-songwriter who uses one name, was initially thrilled when he learned that he had won Man of the Year Award from The Barony, a 501(c)(3) nonprofit based in the East Bay that raises funds for charities within Alameda, Contra Costa, and Santa Clara counties. But Blackberri s excitement turned to disappointment when he saw that the award was made out to Blackberri Singer, the name he has been forced to use on Facebook. ....
Facebook s decision several years ago that people must use their first and last names on the popular social media site had negative consequences for a queer African American Bay Area man who recently received an award with his incorrect name. Blackberri, a well known singer-songwriter who uses one name, was initially thrilled when he learned that he had won Man of the Year Award from The Barony, a 501(c)(3) nonprofit based in the East Bay that raises funds for charities within Alameda, Contra Costa, and Santa Clara counties. But Blackberri s excitement turned to disappointment when he saw that the award was made out to Blackberri Singer, the name he has been forced to use on Facebook. ....
Spoiler warning: This article gives away the plot Twenty-five years after Cheryl Dunyeâs The Watermelon Woman (1996), the first US feature directed by an âoutâ Black lesbian, you can count on a single hand the number of films offering such an audacious subversion of the filmic gaze. The Watermelon Woman takes Black lesbians as its subject matter, but also â and most importantly â as a standpoint from which to challenge the basis of representation, history and how stories are told. In The Watermelon Woman, Cheryl, a fledgling Black lesbian filmmaker played by Dunye herself, sets out to make a documentary about Faith Richardson, a lost cinematic ancestor glimpsed in 1930s race films. Playfully switching between 16mm film and the glorious, radical and short-lived 1990s grainy videotape aesthetic, Dunye layers slices of everyday life with black-and-white archival bits about Faith. ....