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Well, well. Joss Whedon pulled a Keyser Söze on us! A ton happens in “Hanged,” the penultimate episode of this first half of the first season (so many qualifiers) of The Nevers, and we’ll get to a lot of it. We will! But first, let’s talk about those final seconds as Effie Boyle newish journalist character, dressed aggressively in shades of beige, irritating to Inspector Mundi but pretty much an accepted face at the police station after weeks of hanging around takes out some fake teeth, removes the padding in her corset, pinches off the end of her nose, and then shakes out her hair to reveal herself as Maladie all along. ....
Poldark star Eleanor Tomlinson looks unrecognisable as she undergoes gothic makeover for new drama Intergalactic The Poldark beauty, who stole countless hearts as Demelza, looks completely different after a total transformation for new Sky One drama Intergalactic. The video will auto-play soon8Cancel Play now Get daily celeb exclusives and behind the scenes house tours direct to your inboxInvalid EmailSomething went wrong, please try again later. Sign up When you subscribe we will use the information you provide to send you these newsletters. Your information will be used in accordance with ourPrivacy Notice. Thank you for subscribingWe have more newslettersShow meSee ourprivacy notice ....
is now streaming first on Showmax, with two episodes available to watch now and a new episode coming every Monday. Billed as The Magicians meets Bridgerton by Refinery29, The Nevers drew over 1.4 million viewers to its premiere, the best-ever debut for an original series on HBO Max. The Nevers kicks off in August 1896, with Victorian London rocked by a supernatural event that gives certain people - mostly women - abnormal abilities, from the wondrous to the disturbing. It falls to mysterious, quick-fisted widow Amalia True (Olivier Award winner Laura Donnelly from Outlander) and brilliant young inventor Penance Adair (Ann Skelly from ....
After all, they have a lot to work with. “This is a show whose setups and payoffs and complexities are almost endless,” says Emmy-nominated executive producer Jane Espenson ( Buffy the Vampire Slayer, Battlestar Galactica). “The Victorian era was this incredibly important time where everything was changing. The car had come along, women’s lives were changing, and communication was starting to be instantaneous.” “This show has so much to say on the idea of compassion and how we connect to each other as human beings,” says Donnelly, whose character Amalia experiences a ‘rippling’ that gives her glimpses into the future. “The people who ....