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With every new story, director Barry Jenkins argues for hope

With every new story, director Barry Jenkins argues for hope
The director of Moonlight and The Underground Railroad keeps reaching for connection
Photo: Amazon Studios
At first glance, the epic 10-hour series
The Underground Railroad seems to operate counter to filmmaker Barry Jenkins’ hope-inducing repertoire. Nobody puts Black love on the screen the way Jenkins does, and that’s because the Best Picture-winning filmmaker loves every facet of Blackness, from the luminescent beauty of Black skin to the therapeutic joys Black folks find in each other. But what beauty exists in a slave narrative? What joy?
The Underground Railroad appears antithetical to the hallmarks of Jenkins’ past works. ....

United States , New York , Liberty City , San Francisco , Barry Jenkin , James Laxton , Jo Tracey Heggins , Michael Boyce Gillespie , Micah Wyatt Cenac , Ridgeway Joel Edgerton , Ashton Sanders , Juan Mahershala Ali , Cora Thuso Mbedu , Tarell Alvin Mccraney , Trevante Rhodes , Colson Whitehead Pulitzer Prize Winning , Alexr Hibbert , Caesar Aaron Pierre , Museum Of The African Diaspora , Underground Railroad , Best Picture Winning , Colson Whitehead , Pulitzer Prize Winning , Thuso Mbedu , Aaron Pierre , Joel Edgerton ,

In considering Blackness, Pixar's Soul stumbles into a frustrating trope

Soul, including the ending.]
is Pixar’s first film with a Black protagonist, but the story never accepts the narrative complexities of Blackness. It’s a film where the Black character is either a blue blob or a cat for much of the action, but is rarely in his own Black body. It’s a film where a supposedly raceless character takes over a Black body, causing the Black character to minimize his own dreams for a symbiotic good.
Soul opens as a story about finding individual purpose in life. But when the nebulous character 22 enters the fray, the animated jazz odyssey becomes a wholly different tale. ....

New York , United States , Douglas Sirk , Wes Studi , Yorker Joe Gardner , Lakeith Stanfield , Donnell Rawlings , Ku Klux Klan , Phylicia Rashad , Jamie Foxx , Soulis Pixar , Mike Jones , Ron Stallworth John David , Dorothea Williams Angela Bassett , Rachel House , Richard Ayoade , Dana Murray , Pete Docter , Michael Boyce Gillespie , David Cross , Joe Black , Joe Gardner , Alice Braga , Tina Fey , Kambole Campbell , Kemp Powers ,

Project MUSE - Ends of Cinema

summary
At the dawn of the digital era in the final decades of the twentieth century, film and media studies scholars grappled with the prospective end of what was deemed cinema: analog celluloid production, darkened public movie theaters, festival culture. The notion of the “end of cinema” had already been broached repeatedly over the course of the twentieth century from the introduction of sound and color to the advent of television and video and in
Ends of Cinema, contributors reinvigorate this debate to contemplate the ends, as well as directions and new beginnings, of cinema in the twenty-first century.
In this volume, scholars at the forefront of film and media studies interrogate multiple potential “ends” of cinema: its goals and spaces, its relationship to postcinema, its racial dynamics and environmental implications, and its theoretical and historical conclusions. Moving beyond the predictable question of digital versus analog, the scholars g ....

New York , United States , Mary Ann Doane , Caetlin Benson Allott , Michael Boyce Gillespie , Mark Paul Meyer , Jennifer Lynn Peterson , Los Angeles , Francesco Casetti , Amy Villarejo , James Leo Cahill , City College Of New York , California Berkeley , City College , புதியது யார்க் , ஒன்றுபட்டது மாநிலங்களில் , மேரி ஆண்டு தோஅனே , மைக்கேல் பாய்ஸ் கில்லெஸ்பி , குறி பால் மேயர் , ஜெனிபர் லின் பீட்டர்சன் , லாஸ் ஏஞ்சல்ஸ் , ஜேம்ஸ் லியோ காஹில் , நகரம் கல்லூரி ஆஃப் புதியது யார்க் , கலிஃபோர்னியா பெர்க்லி , நகரம் கல்லூரி ,