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OPINION | CRITICAL MASS: Best films since March cover multitude of humanity

OPINION | CRITICAL MASS: Best films since March cover multitude of humanity
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Inside Out Review: 'Moffie' Shows the Power of Gay Resilience Directed by Oliver Hermanus


Starring Kai Luke Brümmer, Dylan Stassen, Matthew Vey, Stefan Vermaak
Published Jun 02, 2021
8
Born in South Africa under apartheid, director Oliver Hermanus never gave much thought to the hardships of white South Africans. In his mind, he says in the film s press notes, all white people in South Africa have had it easy. This is true but imagine being a gay teenage boy in South Africa in the 1980s. They, too, saw prejudice as they lived a life of illegality.
The film s title,
Moffie, is a derogatory and oppressive Afrikaans term for gay. Many lives were ruined and changed due to apartheid and this included every white boy over the age of 16, who became the property of the state and was forced to complete two years of compulsory military service to defend a white supremacist regime against communism in bordering Angola. This, Hermanus says, forcibly imprinted upon nearly one million white boys a diseased ideology of white supremacy, racial intolerance ....

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'Moffie' Review | Movies | Santa Fe Reporter


Director Oliver Hermanus  
Moffie thankfully doesn t drench us in revisionist nostalgia that s all the rage in queer filmmaking these days. At the height of the South African border wars, the apartheid-governed country drafts all men over the age of 16 into the armed forces including Nick (Kai Luke Brummer), who s thrown into a dehumanizing boot camp that makes middle school PE class look inviting.
Nick s homosexuality is more a backdrop in the story. The boot camp ordeals are violent and hard to watch, so much so that the actual border wars feel moot in comparison. Meanwhile, per the rules of queer cinema, Nick s blossoming relationship with his fellow recruit Stassen (Ryan de Villiers) is there and it s not. The connection comes suddenly and redirects just as quickly, detailing how the South African society of the time was possibly made up of men who saw emotions as foreign and confusing entities. ....

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What's new on VOD and streaming this weekend: April 9 to 11 | Georgia Straight Vancouver's News & Entertainment Weekly


Ever since
The Invisible Man, the upper-class wife whose luxury real estate becomes an overbearing metaphor for her isolating marriage seems to have become a go-to set-up for indie filmmakers. Last year we had
Swallow and
The Nest, and this year that plot gets a straight-up genre treatment in
Held. The perennially pained-looking Emma (Jill Awbrey, who also wrote the script) is clearly over her square-jawed husband Henry (Bart Johnson), but they’re giving it one more try by escaping to a secluded, automated smart house vacation rental. Naturally, the property’s version of Alexa has other plans drugging them and forcing them into chivalrous machinations straight out of a 1950s marriage manual. Held doesn’t hold back, skimping on character development, rushing into the concept and mainly using the first act to set things up to pay off later. Basic druggy montages, a visually uninteresting set and an even more uninspired baddie sap ....

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