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Published:
9:05 AM April 8, 2021
The Troll Cart manager,Todd Inns, is looking forward to welcoming customers back from April 12.
- Credit: Nick Butcher
Both the Wetherspoon pubs in the Great Yarmouth borough are opening their beer gardens from Monday April 12 as the easing of restrictions reaches the next milestone stage.
The Troll Cart in Regent Road, Great Yarmouth, and The William Adams in High Street, Gorleston, will be open from 9am to 9pm (Sunday to Thursday inclusive) and 9am to 10pm (Friday and Saturday).
The Troll Cart in Great Yarmouth will be opening its beer garden from 9am on April 12.
- Credit: Archant
Published:
11:27 AM March 6, 2021
Updated:
11:35 AM March 6, 2021
Pub chain Wetherspoons has confirmed plans to reopen some of its pub beer gardens from April 12.
- Credit: PA
Pub chain Wetherspoons has confirmed plans to reopen some of its pubs across the region from April 12.
The company, run by Tim Martin, said four pubs in Norwich are among the almost 400 branches with beer gardens will reopen for business, serving alcohol through the app and a limited food menu.
The Queen of Iceni pub on Riverside in Norwich is one of those that will reopen on April 12.
- Credit: copyright ARCHANT 2017
The pubs are The Bell Hotel in Orford Hill, The Glass House in Wensum Street, The Whiffler in Boundary Road and The Queen of Iceni on Riverside.
50 Arkansas artists who made good noise in 2020
50 Arkansas artists who made good noise in 2020
December 29, 20207:43 pm (top left to top right) Bazi Owenz, Bailey Bigger, Joshua Asante, (bottom left to bottom right) The Eulogy Brothers, Elise Davis, DOT
Creators are going to create, and whether the upheaval of a year like 2020 stifles or fuels that process probably depends on the artist, and on the day. Many, undoubtedly, made music in 2020 at their own expense, investing time, money or both into projects they couldn’t support or promote with live performance, at least not for the foreseeable future. A good number of them, especially those who make music for a living, have spent the year devoted to an industry and to a live music landscape that may well emerge from Post-Pandemic Times looking very different than it did in 2019. But I’m willing to bet that by the time some of this quarantine-crafted music reaches the stage, congregants’ ears