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How a north-east town became an international leader in socially engaged art


ESSAY
Mike Scott of The Waterboys with local singers and musicians who took part in a community performance of Room to Roam as it became Huntly’s ‘anthem’
AS the sun sets on a winter afternoon, Huntly is a place of deserted streets and closed-down shopfronts. A once prosperous market town in the agricultural heartland between Aberdeen and Elgin, Huntly (population 4400, average household income £23,000) now tells the sad story of many small towns: economic decline, the slow withdrawal of services.
But a set of rooms at the back of the library are a quiet powerhouse of socially distanced activity. Huntly is home to one of the most enduring socially engaged arts projects in the country. Deveron Projects (formerly Deveron Arts) has hosted 100 artists from all over the world in its 25-year existence, and has a roster full of plans for when Covid-19 restrictions are lifted. ....

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Tasmania's Mona gets a major revamp – but will it lure the locals?


Last modified on Wed 30 Dec 2020 23.18 EST
As the old saying goes, or perhaps it was Belinda Carlisle, “Honey, leave a light on for me.”
During Hobart’s lockdown, the Museum of Old and New Art (Mona) did just that with “spectra” – Ryoji Ikeda’s 15km tower of white light. A semi-regular fixture at the museum, now it loyally pierced the sky every Saturday night. Hobartians could see it from their windows, the weekly transmission of a message that might be pitched somewhere between “we come in peace” and that of the “hang on in there” kitten.
Writing in the Mercury newspaper in April – after a Covid outbreak in Tasmania that forced 5,000 people into 14-day quarantine – Mona owner David Walsh explained “hope needs a beacon”. ....

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