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The Quietus | Features | The Lead Review | Fear & Trembling: Leaving None But Small Birds By The Body & Big Brave

The Quietus | Features | The Lead Review | Fear & Trembling: Leaving None But Small Birds By The Body & Big Brave
thequietus.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from thequietus.com Daily Mail and Mail on Sunday newspapers.

The Quietus | News | The Body Combine With BIG|BRAVE For New Collaborative LP

The Quietus | News | The Body Combine With BIG|BRAVE For New Collaborative LP
thequietus.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from thequietus.com Daily Mail and Mail on Sunday newspapers.

The Quietus | Reviews | Manslaughter 777

World Vision Perfect Harmony Bernie Brooks , April 15th, 2021 08:47 Lee Buford and Zachary Jones unite as Manslaughter 777, serving up a fantastic feast of breaks and bass on their debut LP, World Vision Perfect Harmony, says Bernie Brooks Some records you regret pitching. They resist analysis. Refuse it. Or perhaps, you subconsciously resist analysing them. These records leap unexpectedly from the stereo. A surprise attack, an exaggerated WHOMP as they bean you with an oversized mallet. Stars everywhere, and somewhere in your brain, somewhere primordial: This is. sick. Something approaching real awe, then something approaching love. And like love, you don t want to ruin it by picking at it or reasoning with it or examining it for inconsequential flaws. You don t want to ruin it by thinking. To diminish it in this way seems almost perverse.

Graded on a Curve: New in Stores for February 2021, Part One

The Vinyl District February 4, 2021 Part one of the TVD Record Store Club’s look at the new and reissued releases presently in stores for February 2021.  NEW RELEASE PICKS: Douglas Lee, Themes for Falling Down Stairs (Self-released) This album, available on 180gm vinyl, CD, cassette and digital, was released back in October, but it just recently entered my consciousness, and since the entrance was an impressive one, here we are and here it is. This looks to be Lee’s first record, but it’s obvious he’s accumulated experience along the way, as the compositions are his, and he plays a variety of (often unusual) instruments together with leading a large band that’s immersed in a neo-lounge jazz/ soundtrack mode (of a sort) that’s a bit like a puree of Henry Mancini, Nino Rota, Combustible Edison, and Angelo Badalamenti, with Mike Patton and John Zorn giving slow nods of approval from the sidelines. This batch of references will hopefully establish that Lee’s approach

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