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Melancholy and absurdity


Melancholy and absurdity
published : 14 May 2021 at 04:00
The Disciple. (Photos © Netflix)
Chaitanya Tamhane was 27 years old when his breakthrough film Court became a critical sensation and won the Lion of the Future Award at the Venice festival in 2014. A film of understated power about India s Kafkaesque judicial tribulation, Court announced the arrival of an exceptional talent from Mumbai, a proud cinema city usually associated with rambunctious Bollywood titles.
Last September, Tamhane s follow-up, a contemplative drama about a classical Indian vocalist called The Disciple, was selected to compete in Venice again and won Best Screenplay at the festival. Now both films are streaming on Netflix. Of the surfeit of Indian offerings on the platform, Court and The Disciple are a duo of low-key jewels for those who look for solid, mature drama and especially for those who treasure the Indian master Satyajit Ray. ....

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Weekend Fix: Is Love Enough? Sir to Yeh Ballet, 5 offbeat Hindi films that you must add to your watchlist


Weekend Fix: Is Love Enough? Sir to Yeh Ballet, 5 offbeat Hindi films that you must add to your watchlist
We decided to round up some interesting and offbeat Hindi films that are lost amidst the hundreds of popular films on streaming platforms.
Written By
Pinkvilla Desk
14772 reads
Mumbai
Updated: May 14, 2021 02:12 pm
Weekend Fix: Is Love Enough? Sir to Yeh Ballet, 5 offbeat Hindi films that you must add to your watchlist.
It s that time of the week again when you add films and web shows to your watchlist for the weekend. While OTT platforms will oftem highlight popular films on your homepage, there are a few gems in the Hindi cinema space that often go unnoticed. The streaming space has given these impressive films a platform to reach out to a wide demographic. So, today, we decided to round up some interesting and offbeat Hindi films that have often gotten lost amidst the hundreds of popul ....

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We all start out as dreamers: Director Chaitanya Tamhane on The Disciple


Express News Service
Chaitanya Tamhane concedes his films are easily labelled as serious or intense . It’s a fair assessment. In 2014, he made Court, an acid critique of the Indian judicial system. The film was predominantly in Marathi, had a fringed musician as its protagonist, and, to most eyes, looked and felt like a serious indie.
All of which holds true for The Disciple, Chaitanya s second feature, about a young classical singer in Mumbai. But the films are also tied together in another way. They are both darkly, wickedly funny – not an immediate descriptor you would use for his films. ....

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