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Kamayani Sharma on Chaitanya Tamhane's The Disciple (2020)

CHAITANYA TAMHANE’S WORK is gaining momentum. His directorial debut, Court (2015), a meditation on the banal evil of India’s judicial system, was praised for challenging the ideological conventions of the legal drama through static shots and long takes. No fast cut, close-up-heavy procedural is staged inside the courtroom; no dramatic monologues are delivered; justice is not served. Tamhane’s second feature, The Disciple (2020), while more kinetic in its camerawork (by Michal Sobociniski), proceeds at a similarly measured pace. Its narrative about the existential journey of Sharad (Aditya Modak), ....

United States , Guruji Arun Dravid , Sharad Aditya Modak , Gurvinder Singh , Arun Dravid , Ritwik Ghatak , Amrit Gangar , Kumar Shahani , Michal Sobociniski , Samit Dutta , Mani Kaul , Shahani Khyal Gatha , Mani Kaul Uski , Kamayani Sharma , Sindhubai Jadhav , Zia Mohiuddin Dagar , Mita Vashisht , Maya Darpan , Alfonso Cuar , Films Division , Television Institute Of India , Rolex Art Initiative , Chaitanya Tamhane , Aditya Modak , Indian New Wave , Uski Roti ,

Melancholy and absurdity


Melancholy and absurdity
published : 14 May 2021 at 04:00
The Disciple. (Photos © Netflix)
Chaitanya Tamhane was 27 years old when his breakthrough film Court became a critical sensation and won the Lion of the Future Award at the Venice festival in 2014. A film of understated power about India s Kafkaesque judicial tribulation, Court announced the arrival of an exceptional talent from Mumbai, a proud cinema city usually associated with rambunctious Bollywood titles.
Last September, Tamhane s follow-up, a contemplative drama about a classical Indian vocalist called The Disciple, was selected to compete in Venice again and won Best Screenplay at the festival. Now both films are streaming on Netflix. Of the surfeit of Indian offerings on the platform, Court and The Disciple are a duo of low-key jewels for those who look for solid, mature drama and especially for those who treasure the Indian master Satyajit Ray. ....

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'The Disciple': Can a film about artistic devotion be captivating?


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By Peter Rainer
Special correspondent
Does a movie about a devoted modern-day practitioner of Hindustani classical music sound overly esoteric? “The Disciple,” written and directed by Chaitanya Tamhane, is anything but. What it’s really about is the spiritual balm that great art can provide.
Sharad (Aditya Modak) is a 24-year-old vocalist in the ancient tradition who studies and performs with his longtime musical guru, or Guruji (Arun Dravid). Like his father before him in this rarefied realm, he craves renown for his artistry. But Sharad’s father (Kiran Yadnyopavit) died without achieving recognition and, although his ambitions are high, Sharad seems bound for the same path. Hearing him perform in the musical competitions he never wins, it’s clear he has talent, not greatness. ....

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What's new to VOD and streaming this weekend: May 7-9


What’s new to VOD and streaming this weekend: May 7-9
Including Almodovar s English-language debut, Eat Wheaties! and season 3 of The Girlfriend Experience
By Norman Wilner and Kevin Ritchie
May 7, 2021
The Human Voice
(Pedro Almodóvar)
Spanish director Almodóvar’s English-language debut is a short film that strips the hallmarks of his oeuvre down to a few core elements: a high-strung woman engages in high drama while clad in high fashion. Based on Jean Cocteau’s monodrama of the same name, The Human Voice is essentially a 30-minute showpiece for Tilda Swinton, who stars as a jilted woman confronting her ex in a lengthy phone call as her oblivious dog unhelpfully reflects back her anxiety. Cocteau’s play served as the inspiration for Almodóvar’s 1988 international hit Women On The Verge Of A Nervous Breakdown so not unlike 2019’s Pain And Glory, this project finds the director self-consciously revisiting the late 80s/early 90s period ....

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'The Disciple' review: Netflix has one of 2021's best movies


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Early in “The Disciple,” a brilliantly composed, rigorously intelligent new movie from the Indian writer-director Chaitanya Tamhane, a young man named Sharad (Aditya Modak) sits at a table offering rare musical treasures for sale. No one takes much interest or notice. Sifting idly through the CDs on display, a potential customer says he’s never heard of any of these artists, to which Sharad replies with a true believer’s conviction: “Yes, sir, but they are as good as the famous names.” You can sense him holding back: What he’d probably like to say is that they’re possibly ....

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