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Shara Nelson - What Silence Knows (10 tracks) +Album Reviews swapacd.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from swapacd.com Daily Mail and Mail on Sunday newspapers.
Summer Mixtape: Yola on being an outsider, discovering American music, and learning to ‘Stand for Myself’ Written by Andrea Domanick, produced by Bennett Purser Jul. 29, 2021Music MORE Yola’s new album “Stand for Myself” is out on July 30. Photo by Joseph Ross. All week, Press Play has been bringing you DJ and artist interviews, along with custom DJ sets. This fifth and final installment of “Summer Mixtape” features a conversation and guest DJ set with singer-songwriter Yola, whose new album “Stand for Myself” is out on July 30. Born outside of Bristol, England to immigrant parents from Barbados and Ghana, Yola learned about American music through her mother’s record collection. The Southern inspiration from artists like Dolly Parton and Tina Turner stuck with her. Yola, who is now based in Nashville, has been celebrated for her soulful Americana sound that mixes blues, country, ....
Arcane Artist Nick Hudson Explores Avant-Garde Dystopia in "Surkov's Dream" — Post-Punk.com post-punk.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from post-punk.com Daily Mail and Mail on Sunday newspapers.
Massive Attack Has Never Sounded So Good The trip hop group’s “Unfinished Sympathy,” which turned 30 years old this pandemic winter, evokes the urban soundscape of a lost era. Mick Hutson/Redferns/Getty The singer Shara Nelson, center, with Massive Attack s Andrew Mushroom Vowles (left) and Robert 3D Del Naja. This month marked the thirtieth anniversary of Massive Attack’s “Unfinished Sympathy,” not that anyone was keeping track. The song remains, for me at least, the high-water mark of what came to be known as trip hop, a bastard genre of languorous tempos and ponderous atmospherics that was once a staple of coffee shops in Amsterdam before becoming the background music at your local Starbucks. Like punk before it, trip hop was appropriated and commercialized nearly at the point of its inception, confounding its legacy. Chris Kraus claims that punk’s “golden age lasted somewhere between four and eighteen months”; trip hop had at least a few ....