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‘I couldn’t even move my eyeballs’: how dancer Tiler Peck stepped back to the barre Lyndsey Winship
Possibly the best piece of dance to come out of lockdown is William Forsythe’s The Barre Project. This half-hour film set to the music of James Blake transforms something basic and well-worn – the ballet dancer’s daily exercises at the barre – into something completely fresh. It is short but magnificently satisfying, and thrilling in its low-key virtuosity.
Forsythe is a master choreographer, but The Barre Project’s brilliance is in large part down to its central dancer, Tiler Peck, a principal with the New York City Ballet. Peck is breezily effortless even at top speed, titanium-strong, crystalline in clarity. She’s also a dancer of warmth and connection, that California-girl sunniness in evidence when she Zooms from her apartment in New York. She has just arrived back from the west coast, where she spent the last year teaching a hugely successful
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Last week the Boricua icon of Hip-Hop, Big Pun was finally given the honor of having a street named after him in his home borough of the Boogie Down Bronx, Big Pun Plaza on E. Fordham Road. But, the rapper who put him in the game, Fat Joe was absent.
In attendance for the celebratory event was of course his wife and children along with Cuban Link and others, but a glaring omission in the crowd was none other than his OG, mentor and Terror Squad brethren, Fat Joe. Many speculated while Joe Crack might’ve skipped the event honoring the man whom he constantly referred to as his “Twin” and it seems like it was personal issues with Pun’s family and friends that kept the Bronx native from witnessing the unveiling of Big Pun Plaza.