Lawrence Abu Hamdan with Will Fenstermaker

There’s a point about halfway through After SFX (2018) where Lawrence Abu Hamdan pauses his performance—he’s just relayed the story of Lebanese President Émile Lahoud’s security tackling a cameraman after mistaking the sound of a tripod for the sound of a pistol—and a low, screeching hum, like a buzzing bee or a car burning out in the distance, fills the auditorium.

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