are. i gave mary tyler moore the script and i said, "look, i can see you playing this." she was drawn to it, and that really hit me 'cause that told me that there is some part of herself that she was willing to expose that had been not exposed before, and she wanted that chance, and so she was given that chance, and she did a great job. >> calvin? >> that moment where mary tyler moore comes downstairs and she asks her husband, "what's wrong?" >> i don't know if i love you anymore. >> she goes upstairs and she's just -- there's something so moving to me about somebody who is so deeply repressed, cracking open. >> that's where the dam breaks. she gets hit by some truth that she can't articulate. she's so taken back, she can't adjust, she can take it in. that's what that moment was about. >> then you look at some of these films of the 1980s, like "ordinary people", and like