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feels his most powerful. so it really was important to get that right, to kind of feel powerful in that moment, to feel that it was completion of something, a persona. femme's certainly a really gripping commentary on a really hot topic in the news of the moment — that of so—called toxic masculinity. the fact it comes from a queer perspective makes it even more interesting. and indeed, there are several films at this year's berlinale that do explore this subject. do you have people depending on you? queer filmmakerjohn trengove's film manodrome, starring jesse eisenberg as a new father sucked into a cult of masculinity, is in competition in berlin. the filmmaker says he values getting his perspective on why men might run from seeming soft. femme certainly explores preston's visible expression of traditional masculinity, while jules feels most powerful when he's on stage as a drag queen. we always try to avoid binaries in the film. i mean, that's what it's about — femininity, masculinity, it's a spectrum. and i think we always talked