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from our research is that our body's stress—responsed performance can be as, if not more powerful, backstage than it is onstage. it's that anticipation of performance where anxiety can really hit, and this helps us tailor our training to make sure we're not only preparing them for what happens onstage, under the lights, in front of the audience's eyes, but also how they're coping backstage. how do they manage that anxiety? how do they get themselves physically and mentally into a place where they're ready to walk out onstage and give their best performance? the parallel to that _ in the surgical world would be allowing surgical students to go through the processj of gowning up, washing up, i doing a preoperative briefing with their team and making sure that they're _ all on the same page. and once the students are onstage, george waddell can control everything. he can change the venue. he can change the reaction to make the night go as well or as badly as he wants. the performance laboratory is running in unreal engine,

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