>> half on our publishing went to warner brothers. but he got them to return mine. >> jackson turned me onto the eagles. he had turned me onto a lot of artists. and i felt i owed him something. >> and that not surprisingly was not acceptable to the eagles. there was a certain amount of ire, like real like, you know, like [ bleep ]. i mean, whoa, we didn't get our publishing back. so it was the publishing issue and the fact that the business managers and lawyers were all shared common guys. did they have a conflict when an issue came up and which side to take? >> it makes you feel like meat. it started out as such a personal nurturing endeavor with mr. geffen saying, oh, i'm going to protect you guys. that's why i'm calling my new label asylum. it's going to be a sanctuary for real artists. >> he once said to irving azof, you know, this would be a great