Eytan Fox’s new film “Sublet” opens with a slow fade-up on travel photographs of Israel: red rocks in the desert, a young woman smiling with the mud of the Dead Sea on her face, two paddleboarders on clear turquoise water. As the image comes into focus, it becomes clear that we’re actually looking at tourism ads in an airport. The film’s protagonist, Michael (John Benjamin Hickey), glides past with a vague look in his eyes. He does not look at the images.