If more fascists slept with Baya Benmahmoud, there would be fewer fascists. That is her theory, anyway, and a good many fascists allow her to test it during "The Names of Love," a wacky French satire about the supercharged political climate in France. Baya (Sara Forestier) is the child of a gentle Algerian father and a fervently political French mother. Sexual abuse by her childhood piano teacher has inspired her, somewhat obscurely, to use sex as a weapon of political persuasion. "The Names of Love" swims in the waters of French politics, which are a good deal more diverse than our own, spanning communists on the left and neo-fascists on the right. The Socialist Party of Dominique Strauss-Kahn, in this company, is close to the center. Baya's evangelical recruitment is further eased by her freedom in defining "fascist," which for her seems to embrace anyone even slightly shy of the activist left.