‘No Sudden Move’ Review: Steven Soderbergh reasserts himself as master of the caper The director's best movie since "High Flying Bird" sees him turning his eye once again to capitalistic structures with divinely entertaining panache. Author: David Lynch (KENS 5) Published: 4:26 PM CDT July 4, 2021 Updated: 4:37 PM CDT July 4, 2021 Does anyone today make movies as effortlessly cool as Steven Soderbergh? It’s a different question, mind you, than to ask if anyone today were making cooler movies than Steven Soderbergh. One person’s twisty crime caper could be another’s naptime. But when Don Cheadle, his Marvel armor exchanged for a lower-rung mobster’s gruff swagger, strides at dawn through a 1950s Detroit in decline backed by a suspenseful-sexy score as carnivalesque font teases an infinitely delectable cast to open “No Sudden Move”, you sit a little straighter. You look a little closer. You focus your attention a little tighter so minor details suddenly sound louder—footfalls seem heavier, voices rumble in a deeper tenor.