two other stages — we have a mobile truck, which is one of the first of the world of its kind, which is actually an upgrade from the system you see, so we're capturing in ak. and it's on a truck. it's on a truck. it can go to the film studios. mobile, you see? or to a sports stadium or music venue, and it can capture the talent on location. but ultimately we're heading towards a future where this — this technology also goes live and becomes streamable. so, we're working on systems now that will become available in 2022, where you'll be able to capture a holographic or volumetric performance in one location and stream it in real time to another. now, while these 3d creations can be experienced in augmented or virtual reality, spare a thought for the poor designers, like andy mcnamara, who created sonzai, and who, for the most part, are trying to design immersive environments on flat screens. i mean, obviously we work on a 2d canvas, and i think this has always been the problem of working as a cgi artist or designer. there's been some stuff