'Strawberry Mansion' Review: Cheerfully Lo-Fi Fantasy Aims to Save Our Dreams From Corporate Overlords 'Strawberry Mansion' Review: Cheerfully Lo-Fi Fantasy Aims to Save Our Dreams From Corporate Overlords Kentucker Audley and Albert Birney's sweet, shoestring Sundance oddity posits a near future in which our sleeping hours are up for sale. Guy Lodge, provided by FacebookTwitterEmail With: Kentucker Audley, Penny Fuller, Grace Glowicki, Reed Birney, Linas Phillips, Constance Shulman, Ephraim Birney, Albert Birney. Running time: Running time: 91 MIN. Courtesy of Sundance Institute It’s a popular conception that there’s nothing more boring than hearing about other people’s dreams, which by rights should make James Preble — the meek, cutely mustachioed hero of “Strawberry Mansion” — the unfortunate owner of the world’s dullest job: He’s a tax auditor who has to scan his clients’ recorded dreams for hidden expenses. This makes a rough kind of sense in Kentucker Audley and Albert Birney’s endearingly cash-strapped sci-fi fantasia, set in a 2035 of papier-mâché futurism and defiant analog aesthetics — or rather, its senselessness is supported by the film’s fuzzy, absurd world-building.