In the last verse of the infectious “Choc-Stock,” a relatively early song by the mostly very excellent post-punk combo The Fall, the ever-dyspeptic frontman Mark E. Smith asks the listener, “Why are you laughing? Why are you smiling? At or with this song? It’s not like YOUR SCENE or YOUR SCENE!” The point being, well, I think you get it. The thing about scenes, and I believe this might be particularly true of scenes that coalesced around punk rock, is that members of them tend to want it both ways. They want to have their (metaphorical) secret handshakes all to themselves but they also want the world to understand just how cool their secret handshakes are/were.