'Hundreds' of Columbia faculty to go on strike if police not removed from campus thecollegefix.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from thecollegefix.com Daily Mail and Mail on Sunday newspapers.
In conjunction with the symposium Potential from the Unknown: Contemporary Art and Institutions, the fifteenth volume of MMCA Studies presents a special issue and highlights the museum’s key research achievements for 2023.
The National Museum of Modern and Contemporary Art, Korea marked its 10th anniversary with an international symposium under the title, “Potential from the Unknown: Contemporary Art and Institutions” at the Multi-Project Hall of MMCA Seoul on Friday. The three sections of the symposium “After Institutions,” “From the Perspectives of Asia” and “Ecological Exposure” .
The National Museum of Modern and Contemporary Art, Korea (MMCA) presents the international symposium “Potential from the Unknown: Contemporary Art and Institutions” at the Multi-Project Hall of MMCA Seoul.
Danish artist behind 'Take the Money and Run' refuses to repay museum washingtonpost.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from washingtonpost.com Daily Mail and Mail on Sunday newspapers.
LIKE SO MUCH ART of the present, the work of Sung Tieu necessitates a fair amount of explanatory text. Reading the growing body of writing about Tieu (the artist will open her first US solo exhibitions “Infra-Specter” at Brooklyn’s Amant on March 30, “Civic Floor” at Cambridge’s MIT List Visual Arts Center on April 4 nearly concurrently), I was struck by the frequency with which the Cold War surfaced as a referent. The term rightly identifies the period about which much of the artist’s research is conducted, but also slyly tethers her object of study to her own artistic operations. The Cold War
“The demands of poetry and painting, of expressivity and formalism, collided in his work and would come to no easy resolution,” wrote Barrett Watten of Frank O’Hara in Artforum’s March 2008 issue. O’Hara’s legacy is defined by dichotomies of “high” and “low,” privacy and disclosure, contrivance and sincerity, celebration and elegy. Watten finds cause to let these contradictions lie in Lytle Shaw’s 2006 book, Frank O’Hara: The Poetics of the Coterie. “The disparity of intention and scale between O’Hara’s intimate poetry and his inescapable public presence . . . had the effect of positing the