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New and historical works by Anselm Kiefer engage in a profound dialogue at Palazzo Strozzi - Vimarsana News

New and historical works by Anselm Kiefer engage in a profound dialogue at Palazzo Strozzi

a href= https://www.palazzostrozzi.org/en/ target= _blank Palazzo Strozzi /a presents a major exhibition dedicated to one of the greatest masters

Artdaily - The First Art Newspaper on the Net - Vimarsana News

Artdaily - The First Art Newspaper on the Net

The First Art Newspaper on the Net., art daily,art news,artdaily, daily art, art, art newspaper, Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography, Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs, Anecdotes, Art Quiz, Education, Mythology, 360 Images, 3D Images, Last Week,, , , , ,

Anselm Kiefer now on view in Hong Kong for the first time in 10 years with 'hortus conclusus' - Vimarsana News

Anselm Kiefer now on view in Hong Kong for the first time in 10 years with 'hortus conclusus'

a href= http://gagosian.com target= _blank Gagosian /a is now opening Anselm Kiefer: hortus conclusus, an exhibition that surveys four decades of

Venice takes a surreal turn, not for the better - Vimarsana News

Venice takes a surreal turn, not for the better

VENICE - We need to talk about Surrealism. Honestly, it's not a conversation I...

Linda Yablonsky around the 59th Venice Biennale - Artforum International - Vimarsana News

Linda Yablonsky around the 59th Venice Biennale - Artforum International

WHEN IT COMES TO ART, there is no such thing as a glutton. Not in Venice, where one can never get enough, certainly not during the VIP preview of a Biennale. The current edition, the fifty-ninth, has brought such a cornucopia of material from so many parts of the world to so many places around the lagoon that one might think every appetite would be sated. Alas, no! The social deprivations of the pandemic created a hunger for the IRL company of others in numbers that Covid protocols continued to repress. As Pinault Foundation curator Caroline Bourgeois told me, “Mons...