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Richard Diebenkorn’s oeuvre is often divided into an early Abstract Expressionist period (ca. 1947–55), a figurative or representational period (ca. 1955–66), and finally a pair of later abstract periods (ca. 1967–88 and 1988–92). As most of the works in Richard Diebenkorn: Figures and Faces are drawn from the middle years of 1955–1967—with an outlier watercolor of three brightly painted derbies from 1984—the Van Doren Waxter exhibition need not concern itself with any dramatic artistic evolution or turn. Instead, as the title suggests, the show primaril...

Suzanne McClelland has been exploring relationships among visual, written, and spoken language figures and their coded representation throughout her career as a painter.

In this rich, dense, and compact show, Mel Kendrick focuses on his generally solid, large, puzzle-like sculptures, most in his current signature tones of yellow and black, creating a dynamic continual exchange with scribbled surface-markings playing in contradistinction to weighty, muscular structures.

Apollinaria Broche walks us through her New York solo debut "In the Distance There Was a Glimpse" now on view at Marianne Boesky, New York.

"Free Fall" takes Singer’s own recollections of 9/11 and repositions these within a hazy computer-generated context.