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Steppenwolf's "Miz Martha" is a Feverish, Elaborate, and Infuriatingly Didactic Production – Chicago Maroon

Shown this fall at Steppenwolf Theatre, James Ijames’s The Most Spectacularly Lamentable Trial of Miz Martha Washington is a grotesque, dark, darkly humorous, and energetic exploration of America’s original sin: slavery. On a stage ringed by cotton fields, the Pulitzer Prize–winning Ijames depicts Miz Martha Washington’s feverish final moments in bed. When she dies, her hundreds...

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A Burlesque-Style Fantasy About 'Miz Martha Washington,' Slave Holder and First Lady, Opens at Steppenwolf | Chicago News

“I don’t come here to shame the founders (of our country), or in the case of my play, their spouses,” playwright James Ijames writes. “I come here to test the strength of their ideals.”

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Roaming Charges: Of Fathers and Their Countries

Roaming Charges: Of Fathers and Their Countries
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Review: Martha Washington, Hilariously Haunted by Her Slaves

Review: Martha Washington, Hilariously Haunted by Her Slaves
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Dandridge, William (1689–1744) – Encyclopedia Virginia

Dandridge, William (1689–1744) – Encyclopedia Virginia
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George Washington and Slavery – Encyclopedia Virginia

George Washington and Slavery – Encyclopedia Virginia
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First Ladies | Penn Today


First Ladies
As curator of an exhibition at the Smithsonian's National Portrait Gallery, Penn's Gwendolyn DuBois Shaw tells the stories of the women who supported U.S. presidents while in the White House.
Gwendolyn DuBois Shaw, associate professor of history of art, was the curator of the exhibition “Every Eye Is Upon Me: First Ladies of the United States” at the Smithsonian Institution’s National Portrait Gallery. Shaw returned to Penn this semester after taking an 18-month leave to serve as the Gallery’s senior historian and director of history, research, and scholarly programs.
In a glass case in a Smithsonian Institution exhibition is a small cape, the ikat-dyed pink silk and fine black lace fanned out around a high collar in the center. The pleated taffeta fabric makes an almost perfect circle, except for an edge flipped over to reveal an interior inscription by the maker to the wearer.

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