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Palestinian writers George Abraham and Sarah Aziza were in the middle of an ongoing correspondence. Then came October 7.

Major new show at Musée d'Art Moderne will look at decolonisation and include more than 200 works

“My class anthology was more of an environment than a set syllabus.”

Anne Waldman is breathlessly encyclopedic. Her breadth is exhaustive, at times exhausting—the whole of a life filling, spilling over pages with the urgency of a woman who knows too well how things get lost. She is called on by her elders, as we (readers, poets, artists) feel called on by her; again and again she invokes Amiri Baraka’s call to action, the instruction she carries with her: “Don’t let this stuff get buried.”

“You left us with an invitation to love and live harder, to be one with nature and the cosmos, and to commit to the struggle holistically,” writes Shirine Saad in a letter to the late Lebanese-American painter and poet.