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Greetings from our ongoing pandemic, where we’re all a little bit of Mads Mikkelsen in the Danish dramedy “Another Round.” I’m
Carolina A. Miranda, culture and urban design columnist for the Los Angeles Times, rounding up the week’s essential art news and satirical architecture speak:
Minimalism, but make it tingle
For her graduate show at
UCLA in 1971,
Karen Carson presented a series of works that consisted of simple geometric pieces of fabric sometimes produced in two or three tones that were bound together by zippers. These were pinned to a wall and could be manipulated by viewers who were invited to open and close the zippers, changing the shape of the piece in the process. ....

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