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This paper considers the dance and activist labour of a group of cis- and transgendered performers who lobby for the decrimininalisation of sex work in India. Known as Komal Gandhar, the group operate out of Sonagachi, Kolkata and are the cultural wing of the Durbar Mahila Samanwaya Committee, a collective of over 65,000 sex workers. Based on in-depth interviews with Komal
WHAT A DIFFERENCE A DAY MAKES! Or—in the case of my recent two-part trek to the Kitchen to experience multidisciplinary artist Sadie Barnette’s installation-as-performance-site The New Eagle Creek—a couple of weeks. Presented in collaboration with the Studio Museum in Harlem, Barnette’s work (or the beginning of it) is a shimmering recreation of her father Rodney Barnette’s now-shuttered San Francisco watering hole, The New Eagle Creek Saloon (1990–1993). The establishment held special significance as the first Black-owned gay bar in the area, a response to the urgent need for a no...