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BBCNEWS HARDtalk July 5, 2024

ah, well, it s actually still, for me, very exciting to be here. but i m trying to understand what has happened to this land of yours, because when you arrived here, this was an intensively farmed land, wasn t it? it was. my husband, charlie, inherited it from his grandparents when he was in his early 20s, and this was back in the 1980s. and every inch of the land was ploughed, it was producing arable crops and dairy. and we fully expected to be farmers for the rest of our lives. mm. 17 years on, we were £1.5 million in debt, tearing our hair out, and realised that, you know, this is very marginal land. we re walking on 320 metres of clay, over a bedrock of limestone, and it s an absolute pig to farm. so you were literally close to going out of business? yeah, the farm was a failing business. and we did everything we could. we diversified, we tried different crops, we tried different cows. we sold ice cream. we did everything we could. but always it was this clay that ....

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BBCNEWS Click July 5, 2024

who s a creative director from visual effects house framestore, now, it s important to remember always when you re dealing with this kind of stuff, that the ai doesn t understand what it s drawing. and actually that s what gives it its unique, quirky animation style. and actually that s what gives it its unique, quirky animation style. you can see in that robot there, the controls on the front, all the buttons are rippling and glitching. yeah. it can t keep them consistent over the number of frames you ve animated it. so thatjust seems to be part of the thing where it doesn t necessarily understand what needs to stay the same in the animation. funnily enough, actually, there s a moment where the girl robot spins her head around, and that was something that itjust did serendipitously. i didn t ask for that, and itjust did it. i mean, it s one of the interesting things about this, the sort of serendipitous nature of it giving you something unexpected, which is also part o ....

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BBCNEWS Unspun July 5, 2024

the economic fabric of a whole belt of america. can we believe anything we re told about the war in ukraine? in this fog of war, where you basically can t trust anyone or anything that you see, it s so important to bring people the truth, whatever that truth is. and are the weird creatures who we re only now discovering in the depths of the oceans threatened with destruction by deep sea mining? the scientists would say until we actually know what s there and we study the ecosystem better, then we just cannot understand the risks. it took russia s invasion of ukraine for germany and other european countries to realise it might not be an altogether good idea to be quite so dependent on russian oil and gas. but as the ukraine war drags on, western countries, especially the us, are starting to think that it might be better to lessen their dependence on china as well, which has made everything for us, from beach balls to nuclear power stations. almost unnoticed by the outsid ....

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BBCNEWS Unspun July 5, 2024

but as the ukraine war drags on, western countries, especially the us, are starting to think that it might be better to lessen their dependence on china as well, which has made everything for us, from beach balls to nuclear power stations. almost unnoticed by the outside world, president biden has been pushing ahead with wide ranging plans to replace chinese goods with american made ones. the bbc s economics editor, faisal islam, has been investigating the extent of this new america first policy. i was astounded by the scale and the speed of the transformation in terms of the deployment of public, government, taxpayer subsidy into strategic industries, particularly green industries. there s so much money going in that it s transforming the economic fabric of a whole belt of america. we used to talk about the rust belt. they are now talking about a battery belt. it sounds rather sort of roosevelt years, doesn t it? yes, and there s some conscious echoes of that. indeed, ....

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BBCNEWS Click July 5, 2024

the characters weren t designed by illustrators and animators. instead, they were described in english to an ai, which then created them itself. the film was made by william bartlett, who s a creative director from visual effects house framestore, and who, like a lot of generative ai creators at the moment, put it together in his spare time. it started off life as a test. and i wanted to do a test that was more elaborate than just a couple of shots. i wanted to try and string together something which had a bit of narrative to try and drive the kind of ambition of the shots. will actually had to use different generative ai tools for different parts of the process. first, he asked midjourney to come up with some still images of the kind of characters that he wanted. and so i might describe a sort of vintage tin robot playing a trumpet, for example, and then you get a kind of set of images to choose from that you might or might not like. and the great thing is that it take ....

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