How Artists Reimagine Our Relationship With Death
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Brianna L. Hernández examines how seven artists reclaim end-of-life traditions in their practice.
Stay updated with breaking news from Brianna Hern. Get real-time updates on events, politics, business, and more. Visit us for reliable news and exclusive interviews.
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Brianna L. Hernández examines how seven artists reclaim end-of-life traditions in their practice.
Tune into our series of online events next month with Hyperallergic Fellows Álvaro Ibarra, Brianna Hernández, Machiko Harada, Tiffany D. Gaines, and Brian Johnson.
This week, artist studios in Vancouver, the Shinnecock Indian Nation on Long Island, Brooklyn, and California’s Pomona College.
Thousands of children were sent from their homes to residential schools for a century — from the 1860s until the late 1960s. Children were often mistreated and poorly fed. Several died and their bodies were never returned home.
Artists from the Shinnecock Tribal Nation on Long Island are telling a part of their story that has long been buried.