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Turner prize-winning artist of the YBA generation who refused to play the fame game

This week, the editors recall Coosje van Bruggen’s “Entrance, Entrapment, Exit: The Process of Bruce Nauman,” an essay from summer 1986. Curator Jeffrey Weiss considers the artist’s installation, His Mark, 2021, for Artforum’s March issue.Tracing the evolution of Nauman’s practice—one that investigates, according to the artist, “the possibilities of what art may be”—scholar and critic van Bruggen focuses her attention largely on Nauman’s work from the 1960s. She recounts his early art-school experiments in paint and his later shift to sculpture, film, and video; she also...

In this week’s newsletter: Interface design is a serious science, yet gamers have embraced FromSoftware’s dodgy menus

There is no tabula rasa. We are like sailors who must rebuild their ship on the open sea, never able to dismantle it in dry-dock and to reconstruct it there out of the best materials. Where a beam is taken away, a new one must at once be put there, and for this the rest of the ship is used as support.—Otto NeurathFEATURING HIS SELF MADE SAILOR’S HAT until his last days, Lawrence Weiner never tired of reminding us that WE ARE SHIPS AT SEA NOT DUCKS ON A POND, apparently sharing Otto Neurath’s moral imperative. The necessity of citing Weiner verbatim in the very first sentence (and in near...

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