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Image credit: Evening Standard Stay tuned in to our local news coverage: Listen to 90.7 WMFE on your FM or HD radio, the WMFE mobile app or your smart speaker — say “Alexa, play NPR” and you’ll be connected. A dream of a day at the Centre Pompidou in Paris. We’d come out of a huge David Hockney exhibition, and my family and I were pooped. So granddaughters, their mother Myndy and I sat on a rim of the Stravinsky Fountain to rest a bit, while my son Josh took our picture. The fountain makes me smile four years later, as it did the first time I saw it decades ago. It’s a 1983 col...

Josh Stamberg Originally published on April 8, 2021 9:00 am A dream of a day at the Centre Pompidou in Paris. We'd come out of a huge David Hockney exhibition, and my family and I were pooped. So granddaughters, their mother Myndy and I sat on a rim of the Stravinsky Fountain to rest a bit, while my son Josh took our picture. The fountain makes me smile four years later, as it did the first time I saw it decades ago. It's a 1983 collaboration between sculptors Jean Tinguely (he did the black mechanical parts) and Niki de Saint Phalle (the puffy colorful figures — something/someone in a...

Spring 2021 Laura Owens, Untitled (2016). Courtesy of the artist; Gavin Brown’s enterprise, New York, Rome; Sadie Coles HQ, London; and Galerie Gisela Capitain, Cologne, This exhibition is a homecoming of sorts for Laura Owens. The wide-ranging and experimental painter grew up close to Cleveland in Norwalk, Ohio, and spent many hours exploring the Cleveland Museum of Art’s encyclopedic collections as a teenager. Owens, who has been based in Los Angeles for the past three decades, has developed this unique exhibition with high school students involved with the Cleveland museum’s Arts Ma...