Mariana Fernández on Pedro Lasch - Criticism
Pedro Lasch’s mid-career survey at Laboratorio Arte Alameda begins with a painting—the ultra-deadpan McSickle, grande no. 1 (2003)—d
Source: e-flux.com
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Pedro Lasch’s mid-career survey at Laboratorio Arte Alameda begins with a painting—the ultra-deadpan McSickle, grande no. 1 (2003)—d
Two dancers join Maho Ogawa to activate her Choreographic Score Mural, an abstract map of human bodies. This multipurpose installation exists as a public mural, sharing movement scores with viewers, and a performance that creates communication methods to bridge movement and visual language and acts to appreciate and challenge recording and ephemerality.