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I spent much of the second week of February thinking about infrastructure. What prompted this fixation, during this year’s Semana del Arte (Art Week)—a catchall name for the scores of gallery openings, museum shows, parties, and satellite fairs that have sprung up around Mexico City’s annual Zona Maco art fair since it was founded two decades ago? Initially, at least, it was a tour that a small group of us took on that Wednesday with the artist Gabriel Orozco. The itinerary followed an ongoing public project the artist undertook in 2018 under the auspices of the federal government (led b...

Pedro Lasch’s mid-career survey at Laboratorio Arte Alameda begins with a painting—the ultra-deadpan McSickle, grande no. 1 (2003)—d

· What Everybody Knows · Building Vacancy Maps · What Has Passed 2008 The Meaning of Everything · Thus I spoke and ever so softly for I feared my thoughts and hinter thoughts 2009 case sensitive america · Die Vant 2010 testing nothing in a little room is the way to use the room and nothing is then lost and that is such a correction · After all these introductions I wish to say something · Kindred Spirits · Some People Have the Watch: Others Have the Time 2011 January 28, 2011 · The Line is My Line and the Word is Mine · I want to go without you: fiction in the a...

The project, described as an “ongoing essay about the presence and function of Blackness in society,” originally began in 2004 and will add 22 new pieces this spring for an on-campus installation in early April.