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Blu-ray: The World of Wong Kar Wai


In the Mood For Love (2000), and its futuristic sequel,
2046 (2004). Emerging across the set is a world whose governing principles of love and melancholy dictate the lives of its inhabitants from above, while looming political questions threaten from below.
As Wong’s first feature length film,
As Tears Go By represents his first effort to balance these competing influences. The film follows Wah (Andy Lau), a ‘big brother’ within the local mob, and the recipient of a spontaneous visit from his cousin Ngor (Maggie Chung). As Wah juggles the demands of mafia life with to keep his friend and partner Fly (Jacky Cheung) out of trouble, a burgeoning romance develops between the two cousins. ....

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Wong Kar Wai's needle-drops: a journey through his melancholic soundscapes


As Tears Go By (1988)
© Courtesy of Janus Films
Wong’s debut feature is his most generic, an 80s Hong Kong crime film cut from the template established by directors such as Ringo Lam and John Woo. But his signature touches shine through in the doomed love story between Ah Ngor (Maggie Cheung) and Wah (Andy Lau), particularly in a moment involving the film’s biggest needle drop. That would be Sandy Lam’s Cantopop cover of Giorgio Moroder and Berlin’s original song for Top Gun (1986), ‘Take My Breath Away’. Wong wrings genuine emotion out of the overwrought ballad, the corny lyrics managed by the film’s melancholy.  ....

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In the Mood for Love: The romantic imposters of Wong-kar Wai's transcendental narrative


In the Mood for Love: The romantic imposters of Wong-kar Wai’s transcendental narrative
The general consensus is that In the Mood for Love is one of the greatest love stories ever made. This is because, in many ways, In the Mood for Love is the greatest love story never made.
Rahul Desai
February 05, 2021 09:55:50 IST
The reason Wong-kar Wai’s In the Mood for Love transcends the conventions of storytelling is because, for once, it’s the betrayed who hijack the moods of love.
The Viewfinder is a fortnightly column by writer and critic Rahul Desai, that looks at films through a personal lens. ....

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