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University of Kentucky Art Museum is proud to announce the first examination of the various collaborations that poet and critic John Yau has created with a range of visual artists during the past five decades. “Disguise the Limit: John Yau’s Collaborations,” running Jan. 9 to June 1, 2024, includes paintings, mixed media works on paper, print portfolios, artist books and ephemera. A reception celebrating this new exhibition and others will be 6:30 p.m. Wednesday, Jan. 10.

Anne Waldman is breathlessly encyclopedic. Her breadth is exhaustive, at times exhausting—the whole of a life filling, spilling over pages with the urgency of a woman who knows too well how things get lost. She is called on by her elders, as we (readers, poets, artists) feel called on by her; again and again she invokes Amiri Baraka’s call to action, the instruction she carries with her: “Don’t let this stuff get buried.”

My friends, come one, come all! The Amanita Gallery has brought the greatest show on earth to the Lower East Side! Fifty-nine works on paper by fifty-four artists: a glorious, international century. Whatever your favorite style may be, you’ll find it here in a dazzling panoply.

The artist, whose exhibition “Timelapse” is at the Guggenheim, would invite Stein to dinner with Cervantes and Murasaki Shikibu: “Stein might instigate a … debate on the origin of the modern novel.”

A new exhibition, drawn from the collection of Rare Book School, offers a sweeping history of the tools and techniques behind this most durable, and changeable, of cultural artifacts.