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The pauses in Sandy's monologues were worthy of Beckett. Critics acclaimed a ‘darkness reminiscent of Philip Larkin’, ‘Ezra Pound with the lights out’ and a pervading ‘Checkovian melancholy’. Barry more prosaically described Sandy as the voice of a different and vanishing Melbourne 'talking in its sleep'
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Over three decades, Jones has been sued by a who’s who of Sydney, but he’s instigated action too.
Over three decades, Jones has been sued by a who’s who of Sydney, but he’s instigated action too.
Previous catch-ups had felt fake, too full of swagger, or like speed dating. Then we hit our late 60s, and everything changed.