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The Museum of Modern Art’s retrospective Käthe Kollwitz, the artist’s long overdue New York City major debut, is both a technical and thematic wonder suffused with the artist’s fury and the overwhelming pathos of her work. The exhibition examines both the piecemeal ways in which Kollwitz produced her works and the recurrent nature of her motifs, including, of course, hands.
She re-appeared at the medical facility with her child dead after being referred to the lab.
From crushed fathers and their waiting children to haunting stacks of empty chairs, art can tell us about the true nature of suffering in ways that headlines never can
A new book points to infanticide by married couples as a means of controlling resources and maintaining social status.
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An Omaha woman convicted of killing a 5-year-old boy in her care has been sentenced to decades in prison.