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i mentioned he quit calling the woman you just saw there, the ceo's views divisive. she wants to set aside the truth to jump it a vat of feelers. some want to defund npr of taxpayer money. even if she were replaced the rest would be -- let's bring in tomi lahren now. what a ceo, tomi. >> yeah, i love how she now wants to have robust debate and discussion but she suspended the person that was actively trying to seek that robust dialogue and discussion. so the two things can't go together. this also goes along with the leftist narrative of everybody having their own truth. there is no objective truth.
do you know kim's video? among the recent documentaries shown here was kim's video, a film that explores a legendary now—closed new york video store. the co—editor of the documentary came to the dctv screening. to him, a big plus of microcinemas is they provide a space for film—makers like himself to interact directly with audiences. it's like a learning experience for both sides. i feel like it's rather unique to small cinemas in a way you would never get at a multiplex. so, i don't need to have an enormous audience, i'm not even that excited about a million people streaming at home as much as i am having a small dialogue with an audience who cares about movies. in the financially fragile world of independent film—making, micro—cinemas are being seen as a lifeline and a particular help to documentary film—makers. we are a part of the documentary ecosystem in the world. and when we opened, which was right after the pandemic, it was also just a really challenging time, that most documentary films were not being bought and we're one of the few cinemas in new york that can screen films that don't have distributors.
himself to interact directly with audiences.— with audiences. this like a learning — with audiences. this like a learning expense - with audiences. this like a learning expense for- with audiences. this like a learning expense for both | learning expense for both sides, it is rather unique cinemas and away you would never at a multiplex, they don't need to have an enormous audience are not even that excited about a million p streaming at home is much as i have smaller —— having a small dialogue with an audience that cares about movies. the financially _ cares about movies. the financially fragile - cares about movies. the financially fragile world | cares about movies. the financially fragile world of independent film making, they are seen as a lifeline and a particular help to documentary filmmakers. brute particular help to documentary filmmakers-— particular help to documentary filmmakers. we are part of the documentary — filmmakers. we are part of the documentary ecosystem - filmmakers. we are part of the documentary ecosystem in - filmmakers. we are part of the documentary ecosystem in the | documentary ecosystem in the world, and when we opened, which was right after the pandemic, it was also just a really challenging time, that most documentary films were not being bought and we are one of the few cinemas in new york that could scream films that do not have distributors. balsa not have distributors. also art of not have distributors. also part of this _ not have distributors. also part of this micro - not have distributors. also part of this micro cinema l not have distributors. alsol part of this micro cinema as not have distributors. also part of this micro cinema as an endeavour called mono no ra, it
for film—makers like himself to interact directly with audiences. it's like a learning experience for both sides. i feel like it's rather unique to small cinemas in a way you would never get at a multiplex. so, i don't need to have an enormous audience, i'm not even that excited about a million people streaming at home as much as i am having a small dialogue with an audience who cares about movies. in the financially fragile world of independent film—making, micro—cinemas are being seen as a lifeline and a particular help to documentary film—makers. we are a part of the documentary ecosystem in the world. and when we opened, which was right after the pandemic, it was also just a really challenging time, that most documentary films were not being bought and we're one of the few cinemas in new york that can screen films that don't have distributors. also part of this universe that includes micro—cinemas is an endeavour called mono no aware. in addition to screenings, it gives people the opportunity to literally handle film and make movies.
this trailer is promoting a long established new york micro cinema, dctv, a venue that has a loyal following. do you know kim's video? among recent documentaries shown here was kim's video, a film that explores a legendary now—closed new york audio store. the co—editor of the documentary came to the dctv screening. to him, a big plus of microcinemas is they provide a space for film—makers like himself to interact directly with audiences. it's like a learning experience for both sides. i feel like it's rather unique to small cinemas in a way you would never get at a multiplex. so, i don't need to have an enormous audience, i'm not even that excited about a million people streaming at home as much as i am having a small dialogue with an audience who cares about movies. in the financially fragile world of independent film—making, micro—cinemas are being seen as a lifeline and a particular help to documentary filmmakers. we are a part of the documentary ecosystem in the world.
a post office in—house lawyer has been giving evidence at the inquiry into the horizon it scandal this morning. rodric williams said he was deeply sorry if he had caused anyone harm. he was questioned on his role within the organisation. our correspondent emma simpson is at the inquiry now. yes, ben. rodric williams was a post office lawyer and civil litigation, starting in 2012, and he is still employed by the post office today and it's fair to say he didn't have and it's fair to say he didn't have a comfortable morning, appearing hesitant and stumbling over a lot of questions about his role. he was the point man in legal dealing with media inquiries. he said in his witness statement it was important to maintain an open dialogue with journalists, but what we heard this morning painted a bit odd different picture. we saw a string of e—mails, a lot involving the bbc. he
time has come for india to remind the united states -- and also the world -- that expecting a dialogue with pakistan to resolve various issues between the two countries is not just immature but also ignorant of th
The United States has said that it “will not get into the middle of the situation” following allegations by Pakistan on India and has urged both countries to avoid escalation of tensions and resolve differences via dialogue.
Colombia has reached an 'important juncture' in advancing peace after decades of war, but efforts to sustain the current momentum must be redoubled, the head of a UN mission in the country told the Security Council on Tuesday.