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Mugshots of Siti Aisyah and Doan Thi Huong from the film, “Assassins.” “Assassins” is an account of the two women – Siti Aisyah and Doan Thi Huong – convicted of assassinating Kim Jong-un’s half-brother, Kim Jong-nam, in 2017. The film follows their sensational trials in an bid to understand whether they are trained killers or simply pawns. White spent months on the film, not knowing if it would ever be released. The Center for Contemporary Arts in Santa Fe will host White, Evans J.R. Revere and Robert R. King at a Zoom panel at 6 p.m. Tuesday, May 11. The cost is $10; register at ccasantafe.org to receive a link to stream the film prior to the discussion. Jaqueline Frank will moderate. ....
Trial of fascist Kenosha shooter Rittenhouse delayed until November On Wednesday, Kenosha County Assistant District Attorney Thomas Binger and the defense for Kyle Rittenhouse the fascist youth charged with killing two anti-police violence protesters in Kenosha, Wisconsin last August agreed to postpone the teenager’s murder trial for seven months. In a four-minute virtual appearance before Kenosha County Circuit Court Judge Bruce Schroeder, Rittenhouse’s lawyer Mark Richards agreed with DA Binger that more time was needed to prepare the trial originally scheduled to begin on March 29. Rittenhouse displays a white supremacist hand gesture while meeting with members of the Proud Boys ....
Last summer, in a small Wisconsin city, the country’s fiercest differences collided in the streets and a teenager named Kyle Rittenhouse opened fire, shooting three people. In the aftermath, a disquieting question loomed: Were these among the first shots ....
It is an enduring dilemma in art: the question of whether the real world, in all its complexity, is better understood through reportage or fiction, or through hybrids of the two. The question particularly exercises documentarists now, when the political reality of the globalised world is increasingly complex and elusive, not least due to the relentless online traffic of truths, lies and indeterminacies. Perhaps for those very reasons, we increasingly demand some leavening element of entertainment to help smooth our path toward understanding. As ‘true crime’ series flourish on Netflix and elsewhere, even the most rigorous documentarists must ask themselves whether they should aspire to presenting truth in unembellished form, or whether it needs to be presented accessibly as something closer to ‘reality’ – using that word in the ‘reality show’ sense, in which actuality always comes to some degree fictionalised. ....