Saul Leiter: An Unfinished World
This major retrospective celebrates the work of a man whose atmospheric shots of New York street scenes made him one of the most important photographers of the postwar period
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This major retrospective celebrates the work of a man whose atmospheric shots of New York street scenes made him one of the most important photographers of the postwar period
Paul Doherty is a masterful “painter” of light with his camera, capturing glorious sunrises, transcendent sunsets, and the calm right after storms — making for a body of work with breadth and great beauty. “There’s something so special about the light on the Island,” Doherty says. “It’s different from the mainland. There’s something about living […]
The West End, and indeed Broadway, should surely ready themselves for a benign Russian invasion as hotly anticipated drama hits the Almeida
Johnson could easily, perhaps, make a living out of such bucolic scenes but he has also tackled the more complex subject matter of cityscapes. In "Pine and Grant" (2019-21), the artist has started out depicting, in a realistic manner, a very specific location in San Francisco. It is probably possible to identify the various buildings, because of their architectural features. But this realism is obscured by large square, rectangle and oblong shapes of secondary colors superimposed upon the city backdrop. It is a conscious effort on the artist's part to merge aspects of representation and abstr...
Johnson could easily, perhaps, make a living out of such bucolic scenes but he has also tackled the more complex subject matter of cityscapes. In "Pine and Grant" (2019-21), the artist has started out depicting, in a realistic manner, a very specific location in San Francisco. It is probably possible to identify the various buildings, because of their architectural features. But this realism is obscured by large square, rectangle and oblong shapes of secondary colors superimposed upon the city backdrop. It is a conscious effort on the artist's part to merge aspects of representation and abstr...