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Even as the Canadian Screen Awards celebrate it, a dismal English-language box office paints a similar picture of the Canadian film industry's health. To take the temperature, and ask for answers, CBC News asked three members of the industry to see what they think about whether Canadian film can be saved.
The pace of arthouse /smart-house releases accelerated this weekend as wide-for-specialty openings like A Good Person and The Lost King joined a handful of…
A handful of critically acclaimed indies hit one or two screens as arthouse openings may be picking up.
French Exit, was released in February. Briefly an Oscar hopeful, French Exit is based on Patrick deWitt’s most recent novel (deWitt himself wrote the script). The drama follows Frances (Michelle Pfeiffer), a Manhattan socialite quickly burning through her inheritance. Unwilling to adapt to a more practical lifestyle, Frances takes her son (Lucas Hedges), her cat and all the cash she can muster and moves to Paris. The plan, as far as she has one, is to abruptly “depart” the moment the money runs out. French Exit was produced by Noah Segal, who’s also Elevation’s co-president. I had ...